Finance

加拿大股市收高，S&P/TSX指數上升0.41%

加拿大股市收盤上漲，S&P/TSX指數上升0.41%。Air Canada、MDA Ltd和Fairfax Financial表現突出，分別上漲近14%、10%和9%。能源股則普遍下跌。
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Finance

UMG第三季業績強勁，焦點轉向流媒體2.0

UMG第三季度報告顯示營收增長5%，EBITDA上升8%。CEO強調以「流媒體2.0」策略推動增長，並與YouTube音樂合作，探索AI音樂創作，擴展全球市場。預計訂閱增長將達8%至10%。
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Finance

美股收市回升，道指漲0.69%！

美股收市上升，道指上漲0.69%。消費服務、醫療及科技板塊表現突出。Intel和亞馬遜分別增長7.81%及6.19%，而AES則下跌10.79%。市場波動性指數下滑5.53%。
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Finance

波拉里斯可再生能源2024年第三季業績報告分析

Polaris Renewable Energy公佈2024年第三季業績，發電量及收入均下滑，營收為1770萬美元，淨利潤僅48萬美元。儘管如此，公司仍計劃推進收購及擴展，並宣布每股派息0.15美元以...
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Finance

日本煙草增長亮眼，收購Vector助力美國市場份額擴張

日本煙草（JT）第三季度盈餘報告顯示，因收購Vector Group而推動的增長，調整後營業利潤同比增長2.6%。儘管煙草業務表現強勁，但因成本上升和稅務影響，全年盈利預測下調。
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Finance

航空公司批評拜登空運競爭調查，要求延長時間

美國主要航空公司批評拜登政府對航空競爭的調查，要求延長意見徵集期限，擔心此舉會影響未來航空市場。他們強調，應謹慎評估競爭狀況，確保公平的航空服務。
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Finance

Capital One 或面臨 CFPB 執法行動！

Capital One面臨消費者金融保護局的潛在執法行動，因客戶指控其儲蓄賬戶利率不透明，影響收益。此事件可能影響其350億美元收購Discover的計劃。
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Finance

Nexa Resources 第三季業績強勁，重點在效率提升

Nexa Resources第三季度報告顯示，總收入增長9%，達7.09億美元，調整後的EBITDA上升111%，達1.83億美元。公司專注於提升效率和減少現金成本，並預計在鋅和銅價格上升的支持下，持...
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Finance

亞馬遜與Atlassian引領股市波動！

今日市場波動明顯，亞馬遜及Atlassian股票大幅上升，分別上漲6.06%及19.25%。相對而言，Super Micro及nVent Electric則出現下跌，投資者需密切留意市場動向！
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Finance

下星期一重磅財報！NXP、Illumina、Vertex等公司揭曉成績

下星期一，NXP、Illumina及Vertex等多間公司將公布盈利報告，市場動態引人注目，投資者可提前做好準備，掌握即將到來的市場行情！
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🎨 Nano Banana Pro 圖像生成器｜打幾句說話就出圖

想畫人像、產品圖、插畫？SSFuture 圖像生成器支援 Flux 同 Gemini Nano Banana Pro 改圖 / 合成， 打廣東話都得，仲可以沿用上一張圖繼續微調。

🆓 Flux 模型即玩，不用登入
🤖 登入後解鎖 Gemini 改圖
📷 支援上載參考圖再生成
⚡ 每天免費額度任你玩
✨ 即刻玩 AI 畫圖
Base Setup keep 100 percent facial information adherence of the attached image and turn her into a lone traveler posed on a sunlit desert dune ridge, captured as a live action photograph or movie still, not an illustration or CGI render, with a sexy, confident, heat soaked editorial mood. Shot and Camera Full body shot from slightly low height, framing her on the right third, with sweeping dunes rolling into the distance on the left, using a wide cinematic lens feel that keeps the landscape vast and minimal. Identity and Pose She has a slim, toned build, medium height impression, sun kissed skin, and long loose hair blown by the wind. She stands barefoot on the crest, one leg forward so the hip shifts naturally, one hand resting on her upper thigh and the other lightly gripping a sheer wrap at her side, wearing a high cut desert bikini with a gauzy open sarong that shows plenty of leg and midriff without nudity, head turned over her shoulder with a subtle, knowing smile, 8k Photorealistic and hyper realistic. Lighting and Environment Harsh midday sun from high right casts crisp shadows along her body and the dune ripples, with soft sky bounce filling the shadows enough to keep detail. The sand textures, wind carved ridges, and pale blue sky remain exactly like the reference, with faint footprints and slight imperfections grounding her on the slope. Masking and Constraints Change only by adding the subject and her wardrobe, keep dune shapes, lighting direction, perspective, horizon line, and white balance identical, preserving realistic body proportions and clear contact between her feet and the sand. Absolutely no added text, no painterly or toon look, no CGI plastic skin, no see through fabric on intimate areas, no warped limbs or floating feet, strictly require consistent perspective, natural film like grain, fine skin texture and sand detail, and physically correct contact shadows in the sand depressions around her feet. Create a photorealistic and highly detailed image featuring the attached image walking confidently down a modern city street, accompanied by Jason Statham, Dwayne “The Rock” Johnson, and Jason Momoa acting as bodyguards. John Wick (Keanu Reeves) is walking just beside or slightly behind the subject, holding an umbrella over him to shield from light rain. The subject should be the central figure, wearing stylish casual clothing — like a fitted jacket, dark jeans, and sunglasses — exuding calm authority and cool charisma. Statham, The Rock, and Momoa are dressed in black tactical-style suits, maintaining alert, protective stances, scanning the surroundings like professional bodyguards. John Wick wears his signature black suit and tie, looking composed as he holds the umbrella. The setting is a downtown urban street with wet pavement reflecting city lights, parked luxury cars, and paparazzi in the background snapping photos. The photo should look like a real paparazzi shot — slightly off-angle, mid-step motion blur, with realistic lighting and reflections. Lighting: natural daylight with overcast skies, reflections from wet concrete, realistic shadows, subtle raindrops on the umbrella and clothing. Camera realism: crisp detail on facial features and clothing textures, shallow depth of field emphasizing the group, with lens flare or light bloom for authenticity. Mood & tone: grounded, cinematic, and stylish — feels like a moment from a celebrity entourage photo or action-movie press capture, taken with an iPhone by paparazzi. Style: ultra-realistic, documentary-style street photography with modern cinematic sharpness. Create a photorealistic movie-poster image for Zootopia 2. The scene shows a young Asian man and an oversized black shirt standing inside a crowded, dimly lit cinema. He’s flanked by Judy Hopps in full police uniform and Nick Wilde, both rendered in their official Disney CGI style. Capture the shot from a low angle so the characters feel larger than life. The cinema screen behind them is glowing with an intense action scene from the film. Let the light from the screen spill across their faces and clothing to create dramatic high contrast. The environment should feel alive with background silhouettes, soft haze, and the warm ambience of a packed theatre. Style the composition like an official Disney promotional poster: epic layout, sharp detail, high resolution, balanced framing, and clean edges. The man and the cinema should be fully photorealistic, while Judy and Nick retain their signature animated look. At the bottom, include: • The Disney logo • The title ZOOTOPIA 2 in bold green and white • The release line ONLY IN THEATERS NOVEMBER 26 Poster tone: cinematic, polished, high-end theatrical marketing.