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Create a photorealistic movie-poster image for Zootopia 2. The scene shows a young Asian man and an oversized black shirt standing inside a crowded, dimly lit cinema. He’s flanked by Judy Hopps in full police uniform and Nick Wilde, both rendered in their official Disney CGI style. Capture the shot from a low angle so the characters feel larger than life. The cinema screen behind them is glowing with an intense action scene from the film. Let the light from the screen spill across their faces and clothing to create dramatic high contrast. The environment should feel alive with background silhouettes, soft haze, and the warm ambience of a packed theatre. Style the composition like an official Disney promotional poster: epic layout, sharp detail, high resolution, balanced framing, and clean edges. The man and the cinema should be fully photorealistic, while Judy and Nick retain their signature animated look.
At the bottom, include:
• The Disney logo
• The title ZOOTOPIA 2 in bold green and white
• The release line ONLY IN THEATERS NOVEMBER 26 Poster tone: cinematic, polished, high-end theatrical marketing. [Subject]: Young Asian female with "Imada Mio-inspired" doll-like aesthetic (精緻洋娃娃臉). She has large round expressive eyes, a small V-line face, and rosy cheeks. Her expression is innocent, energetic, and slightly flirty. [Hair]: Messy morning hair (剛睡醒的凌亂感), long dark brown hair, slightly tousled, natural volume. [Outfit]: Wearing an oversized translucent white button-down shirt (男友風白襯衫), unbuttoned at the top to reveal collarbones, creating a "bottomless" look (下衣失蹤風格). [Style]: Japanese Gravure Photobook style (寫真集風格), Pure & Sexy vibe, bright high-key lighting, soft skin texture, Fujifilm PRO 400H color tone. Prompt (Enhanced, Artistic & Detailed):

A young Asian female inspired by "Imada Mio's" delicate doll-like aesthetic (精緻洋娃娃臉), featuring extraordinarily large, round, and soulful eyes with subtle brown irises, framed by long fluttering lashes. Her face is petite and exquisitely shaped with a defined V-line jaw, soft rosy cheeks flushed with youthful vitality, and plush, natural lips softly parted in a gentle, innocent yet slightly flirtatious expression. Her complexion is luminous and porcelain-smooth.

Her hair is long, dark chocolate brown, and styled in an artfully messy “just woke up” look (剛睡醒的凌亂感), with tousled waves and a touch of natural volume that frames her face and cascades down her shoulders, effortlessly blending wildness and charm.

She wears an oversized, semi-sheer white button-down shirt in a borrowed-from-the-boyfriend style (男友風白襯衫); the shirt slips loosely off her slim shoulders, unbuttoned at the top to reveal graceful collarbones and a hint of décolleté. The hem of the shirt falls mid-thigh, creating a tasteful "bottomless" look (下衣失蹤風格), her bare legs just visible beneath the diaphanous fabric, enhancing a pure yet subtly sexy visual impact.

The image is rendered with a high-key, natural daylight aesthetic reminiscent of Japanese gravure photobooks (寫真集風格): bright, airy lighting softly illuminates her features, casting gentle highlights and diffuse shadows for a dreamy, ethereal effect. Skin is rendered creamy and velvety with impeccable smoothness. The color palette echoes Fujifilm PRO 400H—soft, milky tones with delicate pastels, gentle greens, natural skin, and a nostalgic film grain that adds warmth and authenticity, evoking an elegant, fresh, and intimate atmosphere.

She is posed naturally, perhaps seated on light bed linens or by a sunlit window, exuding a blend of youthful innocence, pure allure, and quiet confidence. Hyper-detailed, cinematic composition, fine-tuned for photorealism yet with a subtle artistic charm.