GTA 6 面世在即,大佬講 AI 影響,遊戲界點算?

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Take-Two高層針對GTA 6的人工智能擔憂作出回應

人工智能在電子遊戲中已經使用多年,最近,負責GTA 6的Take-Two Interactive首席執行官斯特勞斯·澤爾尼克(Strauss Zelnick)談及了遊戲和行業中對人工智能的重大擔憂。

人工智能無處不在。從向Elon Musk的Grok或Chat GPT詢問問題,到在Facebook、TikTok和Instagram的背景中優化你的個人算法,我們無法逃避人工智能的影響,並且幾乎可以肯定,隨著時間的推移,人工智能在生活中的存在只會增長。然而,人工智能與行業之間的關係卻是矛盾的。

一方面,商業領袖可以利用人工智能來削減成本,但這往往是以人員和現實工作崗位為代價,許多勞動者被迫尋找新的生計方式。

視頻遊戲行業也不例外,創作者和開發者對於在人工智能日益普及的世界中,自己長期的工作安全感感到擔憂。

根據2025年遊戲開發者大會的報告,52%的參與調查的開發者表示他們所在的公司正在使用人工智能進行遊戲開發。在3000名參與者中,大約一半的人表示他們對這項技術對行業的影響感到擔憂。

越來越多的受訪者也表示,他們對人工智能的整體看法是負面的。

隨著GTA 6預計在2025年秋季發佈,澤爾尼克在接受CNBC訪問時談及了遊戲和行業中的人工智能問題。

Take-Two自1998年以來擁有Rockstar Games,這意味著它一直在掌控GTA宇宙歷史上的每一次重大發佈。

在訪談中,CNBC的主持人問澤爾尼克:「這裡有多少是人工智能,現在行業中人工智能的地位如何?」

澤爾尼克回答說,該公司「從一開始就已經在使用我們所稱的人工智能」。

他表示:「我們自始至終都在使用數字工具。因此,我認為互動娛樂行業在現在人們所稱的人工智能方面是一個創新者。」

「我不懷疑我們會繼續創新。」

但他接下來的話對於在開發GTA 6等AAA產品的遊戲行業從業者來說是相當令人安心的,澤爾尼克補充道:「不過值得注意的是,天才是人類的,工具可能是數字的,但創造性的天才是人類的。」

當被問及Take-Two計劃如何保護「創造性天才」和「支付那些人類」的報酬時,澤爾尼克表示:「我們相信保護和支付人類的工作是正確的,如果他們的工作被人工智能複製,我們也應該為此付費。」

「所以我們認為這是正確的做法。我們不認為要求某人只表現一次,然後反覆使用他們的工作而不支付報酬是正確的。」

個人評論:澤爾尼克的言論不僅反映了Take-Two對於人工智能的謹慎態度,也顯示出在科技快速發展的背景下,對於創作者權益的重視。隨著人工智能技術的成熟,遊戲行業必須找到平衡,既要利用這些工具提高效率,又要保障人類創意的價值。這一點不僅適用於遊戲行業,也應該成為所有創意產業的一個重要考量。未來,如何在創新與人類價值之間取得平衡,將是我們必須面對的挑戰。

以上文章由特價GPT API KEY所翻譯及撰寫。而圖片則由FLUX根據內容自動生成。

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A hyper-realistic portrait of a man wearing bright yellow neon glasses, his face illuminated with glowing mathematical formulas and physics equations. Warm golden light reflects from his glasses onto his skin. The man has a serious, intelligent expression, short styled hair, and a trimmed beard. His yellow puffer jacket also glows with floating equations and symbols, giving a futuristic holographic effect. Dark teal bokeh lights in the background create depth and contrast. Ultra-detailed skin texture, cinematic lighting, sharp focus, high-contrast neon glow, sci-fi aesthetic, 8K, volumetric light, depth of field, crisp reflections. Certainly! Here is your enhanced, artistic, and detailed prompt for an AI image generator:

---

A captivating portrait of a young Asian woman, inspired by Imada Mio and embodying an exquisitely delicate, doll-like (精緻洋娃娃臉) aesthetic. She has large, round, expressive eyes that radiate innocence and curiosity, subtly accented with a moist shimmer. Her petite V-line face is framed by soft, rosy cheeks, and her lips are naturally pink and slightly parted, exuding an energetic, slightly flirty, yet pure aura. Her expression is a candid blend of sweetness and playful allure.

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The composition is styled in the manner of a Japanese Gravure Photobook (寫真集風格), exuding a pure & sexy vibe with an airy, dreamy atmosphere. Employ bright, high-key lighting for a clean, luminous effect that highlights her velvety soft skin texture. Use Fujifilm PRO 400H film tones for subtle pastel hues, gentle contrast, and a seamless blend of natural colors, further enriching the soft, ethereal, and intimate photographic quality.

The background is minimalist and softly blurred, ensuring complete focus on the subject, and enhancing the overall sense of warmth, comfort, and inviting allure typical of high-end Japanese photobooks.

--- Use the original face exactly as it is, without changing a details. A female model with sharp features, defined cheekbones, and intense, direct eye contact (though eyes are slightly in shadow from the hat).
• Aesthetic: Vintage fashion, Pin-up, 1950s/1960s style, high-glamour, summer resort wear.
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• Accessories:
• A very large, wide-brimmed sun hat in crisp white (or light straw/fabric) that casts a shadow over the upper face.
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• Shot: Close-up or medium-close-up portrait, focusing on the torso, neckline, face, and hat.
• Depth of Field: Shallow (low f-stop), with the model in sharp focus and the background slightly blurred (bokeh).
• Background: Out-of-focus, suggesting a bright outdoor location, with abstract shapes of boats/yachts (white and red accents visible) in a marina setting.