FTX指控3AC索償1.53億美元無根據

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破產的加密貨幣交易所FTX抨擊三箭資本的15.3億美元索賠:“三箭資本不應得任何款項”
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三箭資本的清算人表示,這家已倒閉的對沖基金所應得的15.3億美元的索賠,與他們最初的1.2億美元索賠相比,增幅相當驚人。
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撰文:[Camomile Shumba](https://www.coindesk.com/author/camomile-shumba),[Cheyenne Ligon](https://www.coindesk.com/author/cheyenne-ligon)
編輯:[Cheyenne Ligon](https://www.coindesk.com/author/cheyenne-ligon)

2025年6月23日下午5:45

FTX的破產程序中,該交易所對三箭資本(Three Arrows Capital,簡稱3AC)的索賠提出了強烈反對,聲稱該基金不應該獲得任何賠償。三箭資本的清算人最近提出的索賠金額高達15.3億美元,這一數字與他們最初的1.2億美元索賠相比,增幅驚人,顯示出對於其資產的評估存在重大分歧。

FTX的管理團隊表示,三箭資本的財務狀況和其在市場上的行為,並不支持如此高額的索賠。他們強調,3AC的運營過程中存在多項不當行為,這使得該基金的清算人無法合理地要求如此巨額的賠償。

這一事件再次引發了對加密貨幣市場風險的討論,尤其是在許多投資者和機構面對加密市場波動時,如何保護自身的資本和利益。FTX的反對聲明不僅是對三箭資本的質疑,也是對整個加密貨幣行業透明度和合規性的呼籲。

從這一事件中,我們可以看到,隨著加密貨幣市場的發展,監管機構和市場參與者對於資金流向和風險管理的重視程度日益提高。未來,如何在快速變化的市場中建立有效的監管機制,將成為行業健康發展的關鍵。這也提醒了投資者在進行加密資產投資時,需謹慎評估風險,並尋求專業意見,以避免類似的財務損失。

以上文章由特價GPT API KEY所翻譯及撰寫。而圖片則由FLUX根據內容自動生成。

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[Subject]: Young Asian female with "Imada Mio-inspired" doll-like aesthetic (精緻洋娃娃臉). She has large round expressive eyes, a small V-line face, and rosy cheeks. Her expression is innocent, energetic, and slightly flirty. [Hair]: Messy morning hair (剛睡醒的凌亂感), long dark brown hair, slightly tousled, natural volume. [Outfit]: Wearing an oversized translucent white button-down shirt (男友風白襯衫), unbuttoned at the top to reveal collarbones, creating a "bottomless" look (下衣失蹤風格). [Style]: Japanese Gravure Photobook style (寫真集風格), Pure & Sexy vibe, bright high-key lighting, soft skin texture, Fujifilm PRO 400H color tone. Base Setup
keep 100 percent facial information adherence of the attached image and turn her into a lone night hiker standing in the shallow river at the mouth of the canyon, captured as a live action photograph or movie still, not an illustration or CGI render, with an alluring, confident, quietly sexy mood.

Shot and Camera
Three quarter body shot from slightly low height on the riverbank, placing her on the left third while the water leads into the dark canyon and the star filled sky dominates the top of the frame, preserving the original wide vertical composition.

Identity and Pose
She has a slim athletic build, natural proportions, medium length loose hair, and lightly tanned skin, 8k Photorealistic and hyper realistic. She stands barefoot in the water with one leg forward, hips relaxed, wearing a fitted cropped technical top and separate high waisted trail shorts with an open lightweight jacket slipping off one shoulder, one hand loosely holding a headlamp at her side and the other brushing hair from her face as she looks up at the stars.

Lighting and Environment
Keep the soft starlight and faint glow from the distant horizon, giving a gentle rim on her shoulders and hair while a subtle fill from the reflected sky reveals her features. The canyon walls, river reflections, pebbled shore, and dense star field stay exactly like the reference, with small ripples around her feet grounding her in the water.

Masking and Constraints
Change only by adding the subject and her outfit, keep lighting, perspective, white balance, canyon geometry, and river reflections the same, with realistic scale, body proportions, and clear contact between feet and water surface. Change only the requested element and keep lighting, perspective, white balance, pose, face geometry, body proportions, and silhouette the same, and absolutely avoid added text, painterly or toon styling, CGI look, blown highlights, banding, plastic skin, overly tidy backgrounds, or floating feet while requiring consistent perspective, consistent white balance, subtle film like grain, and physically correct contact shadows and reflections. Create a photorealistic movie-poster image for Zootopia 2. The scene shows a young Asian man and an oversized black shirt standing inside a crowded, dimly lit cinema. He’s flanked by Judy Hopps in full police uniform and Nick Wilde, both rendered in their official Disney CGI style. Capture the shot from a low angle so the characters feel larger than life. The cinema screen behind them is glowing with an intense action scene from the film. Let the light from the screen spill across their faces and clothing to create dramatic high contrast. The environment should feel alive with background silhouettes, soft haze, and the warm ambience of a packed theatre. Style the composition like an official Disney promotional poster: epic layout, sharp detail, high resolution, balanced framing, and clean edges. The man and the cinema should be fully photorealistic, while Judy and Nick retain their signature animated look.
At the bottom, include:
• The Disney logo
• The title ZOOTOPIA 2 in bold green and white
• The release line ONLY IN THEATERS NOVEMBER 26 Poster tone: cinematic, polished, high-end theatrical marketing.