YouTube超過21%影片係AI垃圾內容?揭開真相!

Ai




報告指YouTube上超過21%內容屬「AI垃圾」

隨著OpenAI的Sora及Google的Veo等工具令AI影片製作變得更加普及,一份由影片編輯公司Kapwing發表的新報告指出,YouTube上現時有超過21%的影片屬於所謂的「AI垃圾」(AI slop)。這類內容通常指質量低劣、內容膚淺無意義的AI生成影片。

Kapwing透過模擬一個「未受污染」的YouTube Shorts演算法體驗,創建新帳號並觀察其推薦的首500條影片中,約有104條(即21%)為AI生成的「腦殘」影片。值得留意的是,該測試帳號的最初16條影片並無出現AI垃圾影片,但隨後比例迅速上升。

在各地區中,南韓的社交媒體及智能手機使用率居全球前列,其用戶觀看AI垃圾影片的次數高達約82.5億次。當中最受歡迎的頻道「Three Minutes Wisdom」以擬真野生動物被可愛寵物擊敗的影片吸引了超過20.2億次觀看。

巴基斯坦在AI垃圾觀看次數上排名第二,頂尖頻道累積約53.4億次觀看。美國則居第三,頂尖頻道共獲33.9億次觀看。美國最熱門的頻道「Cuentos Facientes」(西班牙語內容)有12.8億觀看次數,估計為創作者帶來約266萬美元收入。

不過,YouTube並非唯一被AI生成內容淹沒的平台。文字內容方面,AI生成文章的比例已超過50%,成為網絡上主要內容形式之一。甚至職場內部亦未能倖免,美國約有四成員工在過去一年內收到過所謂「工作垃圾」(workslop)——即表面看似合格但實質缺乏實質推動作用的AI生成工作內容,尤以IT及顧問行業受影響最深。

為應對AI垃圾氾濫,部分YouTube競爭對手如TikTok已推出功能,幫助用戶過濾和辨識AI生成內容。TikTok上月推出的設定,讓用戶能將AI垃圾從個人推薦中剔除,嘗試減少低質AI內容對用戶體驗的影響。

評論與啟示

這份報告揭示了AI技術在內容創作領域的雙刃劍效應。一方面,AI工具極大降低了影片和文章的製作門檻,讓更多人能快速產出內容;但另一方面,內容質量的參差不齊,甚至充斥大量低質、無意義的「AI垃圾」,不但影響用戶體驗,更可能削弱整個平台的內容價值。

南韓及巴基斯坦等地AI垃圾觀看數據驚人,反映當地用戶對這類內容的高度依賴或接受度,亦可能暗示當地創作者利用AI快速製作內容以爭取流量和收益的趨勢。這種現象值得關注,因為過度依賴低質AI生成內容,長遠可能損害創意產業的健康發展。

此外,職場中「工作垃圾」的問題也不容忽視。AI在輔助工作上有巨大潛力,但若只用於製造表面合格卻無實質價值的成果,反而可能降低工作效率和創造力。企業和員工需要建立合理的AI使用規範,避免過度依賴「膚淺」的AI產出。

最後,TikTok等平台積極推出過濾AI垃圾的功能,顯示了平台對用戶體驗的重視,也為其他社交平台提供了可借鑒的方向。香港及華語市場的內容生態亦應密切關注這一趨勢,積極探索如何在AI內容創作與品質管控之間取得平衡,確保網絡生態健康發展,避免陷入「內容泡沫」的陷阱。

以上文章由特價GPT API KEY所翻譯及撰寫。而圖片則由FLUX根據內容自動生成。

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Use my uploaded female subject as the ONLY face reference — her face, bone structure, proportions, and identity must remain 100% accurate. She is sitting low and relaxed on a worn vintage couch inside a messy 90s-era bedroom, dripping with grunge attitude and self-confidence. The entire room tells a story of obsession — the walls are completely covered in posters, photos, magazine clippings, and polaroids of HER, all different versions of her: glam looks, grungy looks, party looks, soft looks, edgy looks, all chaotic and layered, taped and pinned unevenly like a shrine to herself. Wardrobe: She wears an oversized, slouchy dark hoodie left open, revealing a white tube top underneath. The outfit is provocative but raw — lots of exposed skin at the waist, collarbones, shoulders, and legs. The vibe is unapologetically sexy, rebellious, and confident. Bare legs or very short bottoms, worn sneakers or socks, very lived-in 90s styling.
Hair & makeup: Hair is messy, slightly undone, effortlessly sexy. Makeup is grungy-glam — smoky eyes, dark liner, slightly smudged, natural but seductive skin texture. No over-polish.
Pose & expression:
She sits back into the couch with dominant, careless confidence — legs apart or casually stretched, shoulders relaxed. Her expression is sultry, knowing, and powerful, like she’s fully aware the entire room revolves around her. She looks down toward the camera, owning the frame.
Camera & composition:
The camera is placed very low on the floor, angled sharply upward toward her, creating dramatic depth perception. Her legs and body feel larger in the foreground, her face looming above, while the poster-covered walls stretch upward behind her, creating a warped, immersive perspective. Slight wide-angle distortion for intensity. Lighting: Moody, low-light bedroom lighting — a mix of cool blue tones and dirty warm highlights. Neon or lamp glow spills across the posters. Shadows fall unevenly across the room, adding grit and texture. Film grain, subtle motion blur energy, raw 90s music-video atmosphere. Overall vibe: Sexy, grungy, chaotic, self-obsessed Photorealistic recreation of the iconic grocery shopping scene from Home Alone, set on a snowy winter street in New York City with yellow taxis, steam rising from manholes, holiday lights on buildings, and pedestrians in the background. In the foreground, a man (his face is 100% same as the uploaded photo), smile gently, wearing a white sweater and a light beige scarf around his neck, is taking a selfie-style close-up photo. Behind him and slightly to the right, a young boy (recreated exactly like Kevin McCallister from Home Alone) with short blonde hair, wide-eyed surprised expression, wearing a red knit hat, red scarf, beige coat, gray gloves, holding two full plastic grocery bags (one with oranges visible, the other with a carton of milk and cereal boxes). The boy is standing on the snowy sidewalk looking shocked. Cinematic lighting, cold winter atmosphere, high detail, sharp focus, realistic textures on clothing and snow, film still style from 1990s holiday movie. Create a photorealistic and highly detailed image featuring the attached image walking confidently down a modern city street, accompanied by Jason Statham, Dwayne “The Rock” Johnson, and Jason Momoa acting as bodyguards.

John Wick (Keanu Reeves) is walking just beside or slightly behind the subject, holding an umbrella over him to shield from light rain.

The subject should be the central figure, wearing stylish casual clothing — like a fitted jacket, dark jeans, and sunglasses — exuding calm authority and cool charisma.

Statham, The Rock, and Momoa are dressed in black tactical-style suits, maintaining alert, protective stances, scanning the surroundings like professional bodyguards. John Wick wears his signature black suit and tie, looking composed as he holds the umbrella.

The setting is a downtown urban street with wet pavement reflecting city lights, parked luxury cars, and paparazzi in the background snapping photos.

The photo should look like a real paparazzi shot — slightly off-angle, mid-step motion blur, with realistic lighting and reflections.

Lighting: natural daylight with overcast skies, reflections from wet concrete, realistic shadows, subtle raindrops on the umbrella and clothing.

Camera realism: crisp detail on facial features and clothing textures, shallow depth of field emphasizing the group, with lens flare or light bloom for authenticity.

Mood & tone: grounded, cinematic, and stylish — feels like a moment from a celebrity entourage photo or action-movie press capture, taken with an iPhone by paparazzi.

Style: ultra-realistic, documentary-style street photography with modern cinematic sharpness.

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