巴西肉類供應商停止向Carrefour供貨!




巴西肉類供應商停止向當地Carrefour零售商供貨

根據當地媒體報導,巴西的肉類加工商已停止向Carrefour集團供應肉類,因為這家零售商的全球首席執行官承諾將南美肉類排除在法國的貨架外,以表達對法國農民的支持。報導援引匿名行業消息來源指出,此次供應中斷已影響到Carrefour在巴西的150家門店,其中包括JBS和Marfrig等公司。

Carrefour對此報導表示不屑,稱其為「毫無根據」。這家法國零售商在週日告訴路透社,當地商店的肉類供應是正常的,否認任何短缺,並將此報導稱為「錯誤資訊」。

巴西肉類聯盟ABPA,代表大型豬肉和雞肉加工商,尚未立即發表評論。JBS和Marfrig也拒絕對此事進行評論。

牛肉行業團體Abiec未確認供應中斷,並提及上週的一份聲明,稱Carrefour禁止南美肉類的計劃是「矛盾的」。Abiec表示,Carrefour巴西在該國經營1200家主要銷售國產牛肉的商店。

巴西政府也對Carrefour的禁令計劃表示譴責,巴西農業部長卡洛斯·法瓦羅稱此承諾是法國公司「精心策劃的行動」,旨在破壞歐盟與南方共同市場(Mercosur)國家之間的貿易協議。

在一則針對法國農業遊說團體領導人的社交媒體貼文中,Carrefour的首席執行官亞歷山大·邦帕德表示,歐盟-南方共同市場協定「存在肉類生產擴散至法國市場(且)未能滿足其要求和標準的風險」。

Abiec對邦帕德的貼文作出反應,表示「Carrefour採取保護主義立場以捍衛法國農民,損害了自身業務,並使歐洲市場面臨短缺風險」。

這一事件反映了全球供應鏈的脆弱性及政策決策對市場的深遠影響。Carrefour的行為不僅引發了巴西政府和行業的強烈反對,也可能對其在南美市場的形象造成損害。隨著全球貿易環境的變化,企業在面對各國利益時,如何平衡本地市場需求和國際合作,將成為未來的一大挑戰。這也提醒我們,企業的國際策略必須考慮到多方面的反應及後果,尤其是在食品安全和農業政策日益受到關注的當前。

以上文章由特價GPT API根據網上資料所翻譯及撰寫,過程中沒有任何人類參與 🙂

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[Subject]: Young Asian female with "Imada Mio-inspired" doll-like aesthetic (精緻洋娃娃臉). She has large round expressive eyes, a small V-line face, and rosy cheeks. Her expression is innocent, energetic, and slightly flirty. [Hair]: Messy morning hair (剛睡醒的凌亂感), long dark brown hair, slightly tousled, natural volume. [Outfit]: Wearing an oversized translucent white button-down shirt (男友風白襯衫), unbuttoned at the top to reveal collarbones, creating a "bottomless" look (下衣失蹤風格). [Style]: Japanese Gravure Photobook style (寫真集風格), Pure & Sexy vibe, bright high-key lighting, soft skin texture, Fujifilm PRO 400H color tone. Prompt (Enhanced, Artistic & Detailed):

A young Asian female inspired by "Imada Mio's" delicate doll-like aesthetic (精緻洋娃娃臉), featuring extraordinarily large, round, and soulful eyes with subtle brown irises, framed by long fluttering lashes. Her face is petite and exquisitely shaped with a defined V-line jaw, soft rosy cheeks flushed with youthful vitality, and plush, natural lips softly parted in a gentle, innocent yet slightly flirtatious expression. Her complexion is luminous and porcelain-smooth.

Her hair is long, dark chocolate brown, and styled in an artfully messy “just woke up” look (剛睡醒的凌亂感), with tousled waves and a touch of natural volume that frames her face and cascades down her shoulders, effortlessly blending wildness and charm.

She wears an oversized, semi-sheer white button-down shirt in a borrowed-from-the-boyfriend style (男友風白襯衫); the shirt slips loosely off her slim shoulders, unbuttoned at the top to reveal graceful collarbones and a hint of décolleté. The hem of the shirt falls mid-thigh, creating a tasteful "bottomless" look (下衣失蹤風格), her bare legs just visible beneath the diaphanous fabric, enhancing a pure yet subtly sexy visual impact.

The image is rendered with a high-key, natural daylight aesthetic reminiscent of Japanese gravure photobooks (寫真集風格): bright, airy lighting softly illuminates her features, casting gentle highlights and diffuse shadows for a dreamy, ethereal effect. Skin is rendered creamy and velvety with impeccable smoothness. The color palette echoes Fujifilm PRO 400H—soft, milky tones with delicate pastels, gentle greens, natural skin, and a nostalgic film grain that adds warmth and authenticity, evoking an elegant, fresh, and intimate atmosphere.

She is posed naturally, perhaps seated on light bed linens or by a sunlit window, exuding a blend of youthful innocence, pure allure, and quiet confidence. Hyper-detailed, cinematic composition, fine-tuned for photorealism yet with a subtle artistic charm. Stylised portrait in emerald green and charcoal black palette. Grayscale realism for subject, upward gaze. Sunglasses with muted emerald reflective lenses. Jacket with ornate baroque/filigree black designs, emerald hood underneath. Textured emerald-green fabric draped below. Background: dense, overlapping hand-inked patterns in emerald, charcoal, and subtle silver — radiating lines, geometric shapes, spirals, parallel contour textures, crosshatching, organic waves, dots. Bold contrast, deep blacks, glowing emerald accents. Mixed-media pop realism. Negative prompt: no cartoon, no art style, no painting, no drawings.