串流睇電視首次贏過有線同廣播!




美國串流平台首次超越廣播及有線電視成為主流觀看選擇

根據觀眾測量公司尼爾森(Nielsen)最新報告指出,串流服務在美國的受歡迎程度持續攀升,於今年五月首次超越廣播及有線電視的總觀看人數,成為美國觀眾觀看電視的主要渠道。

尼爾森在其每月發布的《The Gauge》報告中提到,五月份串流媒體佔據了美國總電視使用時間的44.8%,彰顯YouTube及Netflix等串流平台在過去四年中的快速崛起和主導地位。當中,Google旗下的YouTube單一平台就佔了整體電視觀看時間的12.5%,成為最大觀眾群的串流服務。

此外,尼爾森也指出,免費且以廣告支持的串流服務如派拉蒙全球(Paramount Global)的PlutoTV、Roku Channel及福斯(Fox)的Tubi同樣人氣急升,合共佔有5.7%的電視觀看份額。

相比之下,傳統廣播電視的觀看比例為20%,有線電視則佔24%。這顯示串流媒體已經逐步取代傳統電視,成為觀眾首選。

串流媒體的迅猛發展,部分原因來自於新冠疫情期間,民眾被迫留在家中尋找娛樂,推動了對隨選內容的需求。這種趨勢改變了媒體消費習慣,觀眾越來越偏好按自己時間表觀看節目,而非被傳統電視的固定播出時間所限制。這股浪潮不僅重塑了電視產業,也對廣告商及內容創作者帶來深遠影響。

評論與啟示

這份報告反映出媒體消費模式的根本轉變,串流平台的崛起不單是技術進步的結果,更是消費者行為變化的直接反映。隨著觀眾越來越追求靈活自由的觀看體驗,傳統電視台和有線網絡若不能快速適應新形態,將面臨市場份額進一步萎縮的風險。

尤其是YouTube以12.5%的市場份額領先,顯示免費且內容多元的平台極具吸引力,這對Netflix等收費訂閱平台提出了更大挑戰。免費串流服務崛起,更加強了內容多樣化及廣告策略的競爭,傳統的付費模式正逐漸被重新定義。

對廣告商來說,這種變化意味著投放策略需要更精準地鎖定目標觀眾,利用數據分析和互動性強的廣告形式,才能在多元化的媒體環境中取得成效。內容創作者亦應該抓緊機會,探索如何在串流平台上建立品牌和忠實觀眾群,提供更具創意和個人化的內容。

總括而言,串流媒體不僅是技術革新的產物,更是全球文化消費習慣演變的縮影。香港及其他地區的傳媒業者亦應密切關注此趨勢,積極調整策略,迎合觀眾日益多元化和個性化的需求,才能在新媒體時代保持競爭力。

以上文章由特價GPT API KEY所翻譯及撰寫。

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Statham, The Rock, and Momoa are dressed in black tactical-style suits, maintaining alert, protective stances, scanning the surroundings like professional bodyguards. John Wick wears his signature black suit and tie, looking composed as he holds the umbrella.

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keep 100 percent facial information adherence of the attached image and turn her into a lone traveler posed on a sunlit desert dune ridge, captured as a live action photograph or movie still, not an illustration or CGI render, with a sexy, confident, heat soaked editorial mood.

Shot and Camera
Full body shot from slightly low height, framing her on the right third, with sweeping dunes rolling into the distance on the left, using a wide cinematic lens feel that keeps the landscape vast and minimal.

Identity and Pose
She has a slim, toned build, medium height impression, sun kissed skin, and long loose hair blown by the wind. She stands barefoot on the crest, one leg forward so the hip shifts naturally, one hand resting on her upper thigh and the other lightly gripping a sheer wrap at her side, wearing a high cut desert bikini with a gauzy open sarong that shows plenty of leg and midriff without nudity, head turned over her shoulder with a subtle, knowing smile, 8k Photorealistic and hyper realistic.

Lighting and Environment
Harsh midday sun from high right casts crisp shadows along her body and the dune ripples, with soft sky bounce filling the shadows enough to keep detail. The sand textures, wind carved ridges, and pale blue sky remain exactly like the reference, with faint footprints and slight imperfections grounding her on the slope.

Masking and Constraints
Change only by adding the subject and her wardrobe, keep dune shapes, lighting direction, perspective, horizon line, and white balance identical, preserving realistic body proportions and clear contact between her feet and the sand. Absolutely no added text, no painterly or toon look, no CGI plastic skin, no see through fabric on intimate areas, no warped limbs or floating feet, strictly require consistent perspective, natural film like grain, fine skin texture and sand detail, and physically correct contact shadows in the sand depressions around her feet. Ultra-detailed cinematic portrait of a futuristic armored man in side profile, human face seamlessly fused with exposed mechanical components, intricate cybernetic implants embedded into the skull and jaw, visible wires, micro-circuits, pistons and servo motors, red and gold metallic armor plating partially broken revealing internal machinery, realistic skin texture with stubble and sharp facial features, intense focused expression, hyper-realistic photorealism, sci-fi concept art, mechanical complexity, clean white background with technical sketch lines and blueprint elements, dramatic lighting, sharp focus, 8K resolution, ultra-high detail, cinematic depth, concept art style, futuristic technology, realism + illustration blend

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