【貿戰風雲】美國海鮮關稅飆升 阿拉斯加三文魚價急變




編輯選擇:最新UCN阿拉斯加三文魚價格、供應;美國每月海鮮關稅賬單幾乎翻倍

總編輯Tom Seaman為您帶來上週主要故事的回顧

在Undercurrent News的第29週(7月14日至20日)價格評估中,阿拉斯加三文魚獲得了大量關注,因為新鮮的紅鮭和拖網捕獲的奇努克(也稱為帝王)三文魚價格持續下降,而冷凍的去頭去內臟紅鮭價格上升。

阿拉斯加2025年的三文魚捕撈情況目前看來相當強勁,這主要歸功於強勁的紅鮭季節,布里斯托灣地區是美國州內捕撈量的三分之二以上的來源。根據McKinley Research在最新的每週捕撈更新中報告的數據,阿拉斯加漁業部門的數據顯示,僅在布里斯托灣就已經捕獲了近3800萬條紅鮭,遠超過最初預測的不到3500萬條。

美國海鮮進口商在4月首次感受到特朗普總統的新全球貿易戰的苦果,但5月的情況更加難以消化,尤其是在支付巨額額外費用的方面,這些費用涉及大西洋三文魚和蝦。

根據國家海洋和大氣管理局的最新海鮮貿易數據,進口商在5月被迫支付高達1.589億美元的關稅(6%),而4月的海鮮進口關稅為8540萬美元(4%)。

上週海鮮行業有兩個重要的交易。美國進口商Mark Foods同意收購位於緬因州東海岸的扇貝和白魚供應商Bristol Seafood,交易預計在8月完成。

在三文魚養殖方面,三菱公司支持的Cermaq集團簽署了一項接近10億美元的交易,收購Grieg Seafood的三個運營:位於挪威北部的Finnmark農場和加拿大不列顛哥倫比亞省、新芬蘭與拉布拉多的業務。

分析師認為,由於政治家在加拿大西海岸省份的不利三文魚養殖立場,Grieg的不列顛哥倫比亞農場實際上是毫無價值的。

評論:這篇文章揭示了全球海鮮市場的動態變化,以及政治和經濟因素對行業的影響。阿拉斯加三文魚的價格波動反映了供需的微妙平衡,而特朗普的貿易政策則凸顯了國際貿易的不確定性。這些因素共同影響著海鮮進口商和消費者的成本。此外,海鮮行業的並購活動顯示出行業整合的趨勢,可能會帶來更大的市場影響。這些事件提醒我們,全球化的市場中,政策和經濟變化可以迅速改變行業格局,企業需要靈活應對這些挑戰。

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Ultra-realistic, vibrant aerial adventure photograph captures a joyful man (same face as reference image, 100% accuracy) paragliding high above a breathtaking tropical coastline. He is seated comfortably in his black and orange harness, legs dangling freely, facing the camera with a wide, excited smile, teeth showing, conveying pure exhilaration. He sports dark brown hair and a light beard,wearing a bright red t-shirt emblazoned with 'style' in bold white text within a blackCteate a Ultra-realistic, vibrant aerial adventure photograph in 9:16 ratio captures a joyful man (same face as reference image, 100% accuracy) paragliding high above a breathtaking tropical coastline. He is seated comfortably in his black and orange harness, legs dangling freely, facing the camera with a wide, excited smile, teeth showing, conveying pure exhilaration. He sports dark brown hair and a light beard,wearing a bright red t-shirt emblazoned with 'style' in bold white text within a blackrectangle, layered beneath an open blue and black plaid long-sleeved shirt. His attire includes grey cargo shorts, white socks, and distinctive red, white, and black high-top sneakers. In his left hand, he holds a black selfie stick, while his right grasps the paragliding control lines. The stunning backdrop features crystal-clear turquoise and deep blue ocean revealing intricate coral reefs and gentle breaking waves near a pristine white sandy beach. A charming coastal town with numerouswhite buildings is nestled against lush, emerald-green, tree-covered hills, which ascend to distant, hazy mountains under a softly clouded sky. Another yellow paraglider gracefully soars in the distance, and a long concrete pier extends into the tranquil water. The scene is illuminated by bright, diffused natural light, creating an exhilarating, free-spirited, and idyllic tropical mood, with a color palette dominated by vivid turquoises, deep blues, and verdant greens, beautifully contrastedby the crisp whites of the beach and town, and the bold reds of his clothing and footwear. A low-angle, wide-lens street shot in a bustling cityscape (similar to Shibuya, Tokyo). A young woman crouches confidently beside a modified, glossy purple sports car with a Japanese license plate. She wears a black graphic tee, cargo pants, white sneakers, and silver jewelry. The background features tall glass skyscrapers, colorful billboards, neon signage, and warm late-afternoon lighting. Strong perspective distortion emphasizes the height of the buildings and the car’s aggressive stance. The mood is stylish, bold, and modern, capturing urban automotive culture with a cinematic, hyper-real aesthetic. High detail, high contrast, crisp reflections, editorial fashion vibe, dynamic street energy. Ultra-realistic cinematic photograph, 9:16 vertical.
Use my uploaded female subject as the ONLY face reference — her face, bone structure, proportions, and identity must remain 100% accurate. She is sitting low and relaxed on a worn vintage couch inside a messy 90s-era bedroom, dripping with grunge attitude and self-confidence. The entire room tells a story of obsession — the walls are completely covered in posters, photos, magazine clippings, and polaroids of HER, all different versions of her: glam looks, grungy looks, party looks, soft looks, edgy looks, all chaotic and layered, taped and pinned unevenly like a shrine to herself. Wardrobe: She wears an oversized, slouchy dark hoodie left open, revealing a white tube top underneath. The outfit is provocative but raw — lots of exposed skin at the waist, collarbones, shoulders, and legs. The vibe is unapologetically sexy, rebellious, and confident. Bare legs or very short bottoms, worn sneakers or socks, very lived-in 90s styling.
Hair & makeup: Hair is messy, slightly undone, effortlessly sexy. Makeup is grungy-glam — smoky eyes, dark liner, slightly smudged, natural but seductive skin texture. No over-polish.
Pose & expression:
She sits back into the couch with dominant, careless confidence — legs apart or casually stretched, shoulders relaxed. Her expression is sultry, knowing, and powerful, like she’s fully aware the entire room revolves around her. She looks down toward the camera, owning the frame.
Camera & composition:
The camera is placed very low on the floor, angled sharply upward toward her, creating dramatic depth perception. Her legs and body feel larger in the foreground, her face looming above, while the poster-covered walls stretch upward behind her, creating a warped, immersive perspective. Slight wide-angle distortion for intensity. Lighting: Moody, low-light bedroom lighting — a mix of cool blue tones and dirty warm highlights. Neon or lamp glow spills across the posters. Shadows fall unevenly across the room, adding grit and texture. Film grain, subtle motion blur energy, raw 90s music-video atmosphere. Overall vibe: Sexy, grungy, chaotic, self-obsessed