「阿瑟·克拉克預言AI崛起,對人類的啟示」

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亞瑟·C·克拉克預測人工智能的興起及對人類的影響(1978)

我們現在正處於人工智能的繁榮時期,但這並不是第一次。事實上,自二十世紀五十年代初以來,這個領域就經歷過多次的繁榮與衰退。當可實現的人工智能技術未能實現繁榮期的期待時,這些衰退便開始了,並且每次都被稱為“人工智能冬季”,伴隨著研究資金和公眾興趣的急劇下降。然而,即使在這樣的低迷時期,人工智能依然能激發足夠的興趣,成為1978年NOVA紀錄片《心靈機器》的主題。

該節目包括了如今被認為是人工智能歷史上的先驅者的訪談:約翰·麥卡錫、馬文·明斯基、特里·維諾格拉德,以及ELIZA的創造者約瑟夫·魏岑鮑姆。它還邀請了亞瑟·C·克拉克這位科技先知,他指出,七十年代末對思考機器的懷疑態度與他三十年代青春時期對太空旅行的期待有著相似之處。在他看來,我們已經在“創造我們的繼任者”。他預見到“我們將能夠設計能夠自我改進的系統”。

如果電腦因此而獲得超越人類的智能,那將“徹底重構社會”——克拉克認為,若把他所認識的社會相對簡單的電腦移除,這個社會將會“瞬間崩潰”。克拉克不僅提出了許多人心中當前的問題,即“那些只能從事低級計算機類工作的人的未來將會怎樣”,更深層的問題是:“生命的目的何在?我們想為了什麼而活?這是智能計算機將迫使我們關注的問題。”

在1978年,幾乎沒有觀眾會花太多時間思考這些問題。然而,當他們看到所有這些如今看來原始的原型人工智能技術——電腦棋賽、模擬治療師、醫療診斷助手,以及計劃在1986年發射的NASA火星探測器——他們至少必須感受到這樣的想法:他們會活到看到一個不僅能思考,而且如旁白所說,擁有“常識智能最關鍵的方面:學習能力”的機器的時代。或許另一個人工智能冬季將再次延遲這個時代的到來——如果它還不是已經來臨的話。

在這篇文章中,克拉克的預測不僅是對科技發展的洞察,更是對人類未來的深刻反思。隨著人工智能技術的迅速發展,我們不禁要問,社會如何調整以應對這些變化?人類的角色又將如何演變?這些問題不僅關乎技術,也關乎倫理和人類存在的意義。當我們越來越依賴智能系統時,如何保持我們的自主性和人性,將成為未來需要解決的重要挑戰。克拉克的洞見提醒我們,面對科技進步,我們必須不斷反思自我,尋找生命的真正意義。

以上文章由特價GPT API KEY所翻譯及撰寫。而圖片則由FLUX根據內容自動生成。

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Create a photorealistic and highly detailed image featuring the attached image walking confidently down a modern city street, accompanied by Jason Statham, Dwayne “The Rock” Johnson, and Jason Momoa acting as bodyguards.

John Wick (Keanu Reeves) is walking just beside or slightly behind the subject, holding an umbrella over him to shield from light rain.

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Statham, The Rock, and Momoa are dressed in black tactical-style suits, maintaining alert, protective stances, scanning the surroundings like professional bodyguards. John Wick wears his signature black suit and tie, looking composed as he holds the umbrella.

The setting is a downtown urban street with wet pavement reflecting city lights, parked luxury cars, and paparazzi in the background snapping photos.

The photo should look like a real paparazzi shot — slightly off-angle, mid-step motion blur, with realistic lighting and reflections.

Lighting: natural daylight with overcast skies, reflections from wet concrete, realistic shadows, subtle raindrops on the umbrella and clothing.

Camera realism: crisp detail on facial features and clothing textures, shallow depth of field emphasizing the group, with lens flare or light bloom for authenticity.

Mood & tone: grounded, cinematic, and stylish — feels like a moment from a celebrity entourage photo or action-movie press capture, taken with an iPhone by paparazzi.

Style: ultra-realistic, documentary-style street photography with modern cinematic sharpness. Edit the uploaded photo (face based on the reference photo). Ensure the face remains consistent with the person in the uploaded image, without changing facial structure, skin tone . Create a Create an 8K ultra-realistic image of woman dancing joyfully in the rain at night, wearing a white sleeveless dress that flares out as she twirls. She has a bright, happy expression on her face. The background features softly glowing streetlights reflecting on a wet surface, creating a warm, shimmering ambiance. The rain is falling steadily, adding a dynamic and lively atmosphere to the scene.Using a Canon EOS R camera with a 50mm f/1.8 lens, f/2.2 aperture, shutter speed 1/200s, ISO 100 and natural light, Full Body, Hyper Realistic Photography, Cinematic, Cinema, Hyper detail, Ultra hd, Color Correction, ultra hd, hdr , color grading, 8k. Create a photorealistic movie-poster image for Zootopia 2. The scene shows a young Asian man and an oversized black shirt standing inside a crowded, dimly lit cinema. He’s flanked by Judy Hopps in full police uniform and Nick Wilde, both rendered in their official Disney CGI style. Capture the shot from a low angle so the characters feel larger than life. The cinema screen behind them is glowing with an intense action scene from the film. Let the light from the screen spill across their faces and clothing to create dramatic high contrast. The environment should feel alive with background silhouettes, soft haze, and the warm ambience of a packed theatre. Style the composition like an official Disney promotional poster: epic layout, sharp detail, high resolution, balanced framing, and clean edges. The man and the cinema should be fully photorealistic, while Judy and Nick retain their signature animated look.
At the bottom, include:
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