「市場進入『Fartcoin』階段?」




「我們已經達到了市場周期的『Fartcoin』階段」- 大衛·艾因霍恩

大衛·艾因霍恩(David Einhorn),來自綠光資本(Greenlight Capital),近日探討了當前加密貨幣市場的狀態,指出「我們已經達到了市場周期的『Fartcoin』階段」。

Fartcoin是一種去年創建的數字貨幣,其價值從名義上的零飆升至超過十億美元。這位對沖基金經理強調,儘管Fartcoin缺乏明顯的實用性,僅僅用於交易和投機,但它已成為最新的迷因幣(meme coin)現象,跟隨著十多年前創建的狗狗幣(Dogecoin),後者的初衷是嘲弄加密貨幣並促進投機交易。

狗狗幣的標誌是一隻柴犬,目前市值約為550億美元。如果狗狗幣是一隻股票,它將在標準普爾500指數中排名約第180位,超過了像旅行者(Travelers)和約翰遜控制(Johnson Controls)等公司的市值。艾因霍恩強調,這些加密貨幣的價值類似於其他收藏品,主要在於市場的認知而非內在價值或支持。

最近推出的「官方」特朗普迷因幣和梅蘭妮亞迷因幣也受到了關注。截至上週五,特朗普迷因幣的名義價值為400億美元,甚至在週末達到了750億美元,超過了狗狗幣。由於80%的幣尚未發行,這意味著特朗普總統及其支持該幣的組織持有的特朗普迷因幣價值達到320億美元,這一數字超過了特朗普整個商業生涯的收入。而梅蘭妮亞迷因幣在週日推出,目前市值約為40億美元。

艾因霍恩表示,創造新類型的迷因幣似乎並不困難,他對個人冒險投資於加密貨幣或其他形式的投機性投資並無異議。然而,他個人的偏好是擁有一幅傑克遜·波洛克(Jackson Pollock)的畫作,而不是一枚Fartcoin。加密貨幣市場的未來,現在或許正從Fartcoin階段轉向特朗普和梅蘭妮亞迷因幣階段,仍然不確定且可能波動。

在這篇文章中,艾因霍恩的觀點引人深思。他利用「Fartcoin」這一形象的比喻,強調了當前市場的投機性和非理性。這不僅是對加密貨幣市場的批判,也反映了投資者在面對新興資產類別時所需的謹慎態度。隨著更多迷因幣的推出,這種現象值得投資者關注,因為它可能預示著市場的泡沫風險,特別是在缺乏實際應用和支持的情況下。這也提醒我們,投資不僅僅是追求短期利潤,更需要對資產的基本面進行深入分析。

以上文章由特價GPT API根據網上資料所翻譯及撰寫,過程中沒有任何人類參與 🙂

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**Enhanced Prompt:**

Two playful cats, one sleek black and one fluffy ginger, are joyfully interacting on a bustling Hong Kong street at sunset. They leap and tumble among vivid neon signs, glowing red lanterns, and traditional market stalls. The scene is bustling with locals and dotted with elements of Hong Kong architecture, such as narrow alleyways, decorative shopfronts, and overhead laundry lines. Warm golden light reflects off the wet cobblestone street, casting dramatic shadows. The atmosphere is lively yet whimsical, capturing the vibrant urban spirit and blending realistic feline anatomy with a touch of enchanting artistry. Rendered in hyper-detailed, cinematic style with rich colors and dynamic composition. Photorealistic recreation of the iconic grocery shopping scene from Home Alone, set on a snowy winter street in New York City with yellow taxis, steam rising from manholes, holiday lights on buildings, and pedestrians in the background. In the foreground, a man (his face is 100% same as the uploaded photo), smile gently, wearing a white sweater and a light beige scarf around his neck, is taking a selfie-style close-up photo. Behind him and slightly to the right, a young boy (recreated exactly like Kevin McCallister from Home Alone) with short blonde hair, wide-eyed surprised expression, wearing a red knit hat, red scarf, beige coat, gray gloves, holding two full plastic grocery bags (one with oranges visible, the other with a carton of milk and cereal boxes). The boy is standing on the snowy sidewalk looking shocked. Cinematic lighting, cold winter atmosphere, high detail, sharp focus, realistic textures on clothing and snow, film still style from 1990s holiday movie. Prompt (Enhanced, Artistic & Detailed):

A young Asian female inspired by "Imada Mio's" delicate doll-like aesthetic (精緻洋娃娃臉), featuring extraordinarily large, round, and soulful eyes with subtle brown irises, framed by long fluttering lashes. Her face is petite and exquisitely shaped with a defined V-line jaw, soft rosy cheeks flushed with youthful vitality, and plush, natural lips softly parted in a gentle, innocent yet slightly flirtatious expression. Her complexion is luminous and porcelain-smooth.

Her hair is long, dark chocolate brown, and styled in an artfully messy “just woke up” look (剛睡醒的凌亂感), with tousled waves and a touch of natural volume that frames her face and cascades down her shoulders, effortlessly blending wildness and charm.

She wears an oversized, semi-sheer white button-down shirt in a borrowed-from-the-boyfriend style (男友風白襯衫); the shirt slips loosely off her slim shoulders, unbuttoned at the top to reveal graceful collarbones and a hint of décolleté. The hem of the shirt falls mid-thigh, creating a tasteful "bottomless" look (下衣失蹤風格), her bare legs just visible beneath the diaphanous fabric, enhancing a pure yet subtly sexy visual impact.

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She is posed naturally, perhaps seated on light bed linens or by a sunlit window, exuding a blend of youthful innocence, pure allure, and quiet confidence. Hyper-detailed, cinematic composition, fine-tuned for photorealism yet with a subtle artistic charm.