《殘酷者》用AI惹議:對白建築都執過,業界早有先例?

Ai




《粗獷派》因編輯透露使用AI而引發反彈,但他表示「這並不是前所未有的事」

隨著Brady Corbet的《粗獷派》逐漸成為獎項季的領跑者之一,該片的編輯因承認在製作過程中使用了AI工具而在社交媒體上引發了廣泛的反彈。

在接受科技雜誌《Red Shark News》的訪問時,編輯Dávid Jancsó透露,他們使用了來自烏克蘭的軟件公司Respeecher的AI工具,以提高由Adrien Brody和Felicity Jones主演的匈牙利對話的真實性。

Jancsó對《Red Shark》表示:「我是一名母語為匈牙利語的講者,我知道這是一種發音非常困難的語言。這是一種極其獨特的語言。我們對Brody和Jones進行了輔導,他們的表現非常出色,但我們也想進一步完善,以至於連當地人都無法察覺任何不同。」

根據Jancsó的說法,某些單詞特別難以發音,因此製作團隊「首先嘗試用演員的聲音來進行ADR處理這些較難的元素」。接著,他們嘗試用其他演員的聲音來進行ADR,但這樣的做法並不奏效。「所以我們尋找其他能提升音質的選項。」

Brody和Jones將他們的聲音錄入AI軟件,而Jancsó則表示,他也將自己的聲音輸入其中,以「精緻化那些棘手的口音」。

他補充道:「他們大部分的匈牙利對話中都有我的聲音。我們非常小心地保持他們的表演,主要只是替換一些字母而已。」

Jancsó還透露,在《粗獷派》的最後一幕中,使用了生成性AI來創建一系列建築圖紙和完成的建築,這些都是根據Brody角色László Tóth的風格設計的。

儘管Jancsó對AI的使用做出了這樣的解釋,並強調其使用範圍有限,但消息仍然引發了批評,許多人在社交媒體上對這一決定表示不滿。一位用戶指出,AMPAS因為Hans Zimmer的《沙丘:第二部分》使用了第一部《沙丘》的音樂元素而決定將其取消提名,但卻允許《粗獷派》通過,顯示出不一致性。另有一人稱這是「可恥的」,因為使用AI來「避免支付視覺藝術家的報酬」,並且操控演員的口音是「表演的基本要素」。

在接受訪問時,Jancsó承認談論AI是「有爭議的」,但他認為不應如此。「我們應該對AI能為我們提供的工具展開非常開放的討論。他表示,電影中使用的AI技術並不是前所未有的,只是使過程更快。我們使用AI來創建那些我們沒有時間或金錢拍攝的小細節。」

這一事件引發的討論不僅反映了當今電影製作中技術使用的道德和法律問題,還讓我們思考創作過程中人類與技術的界限。隨著AI技術的進步,未來的電影製作將會面臨更多類似的挑戰和選擇,如何平衡創作的藝術性與技術的便利性,是每位創作者都必須面對的課題。

以上文章由特價GPT API KEY所翻譯及撰寫。而圖片則由FLUX根據內容自動生成。

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• Outfit: She is wearing a two-piece outfit (or a playsuit/romper) entirely covered in black and white polka dots.
• Top: A loose, long-sleeved shirt, worn off one shoulder, showcasing the neckline. The polka dots on the shirt appear slightly smaller and more uniform.
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